the matt taibbi review of the new thomas friedman book is hilarious...
Posted by
x (aka dmuck)
Dec 3 '16, 07:14
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"The folksiness will irk some critics ... But criticizing Friedman for humanizing and boiling down big topics is like complaining that Mick Jagger used sex to sell songs: It is what he does well." –John Micklethwait, review of Thank You for Being Late, in The New York Times
With apologies to Mr. Micklethwait, the hands that typed these lines implying Thomas Friedman is a Mick Jagger of letters should be chopped off and mailed to the singer's doorstep in penance. Mick Jagger could excite the world in one note, while Thomas Friedman needs 461 pages to say, "Shit happens." Joan of Arc and Charles Manson had more in common.
Thomas Friedman was once a man of great influence. His columns were must-reads for every senator and congressperson. He helped spread the globalization gospel and push us into war in Iraq. But he's destined now to be more famous as a literary figure.
No modern writer has been lampooned more. Hundreds if not thousands of man-hours have been spent teaching robots to produce automated Friedman-prose, in what collectively is a half-vicious, half-loving tribute to a man who raised bad writing to the level of an art form.
We will remember Friedman for interviewing 76 percent of the world's taxi drivers, for predicting "the next six months will be critical" on 14 occasions over two and a half years (birthing the neologism, "the Friedman unit"), and for his unmatched, God-given ability to write nonsensical metaphors, like his classic "rule of holes": "When you're in one, stop digging. When you're in three, bring a lot of shovels."
Friedman's great anti-gift is his ability to use many words when only a few are necessary. He became famous as a newspaper columnist for taking simple one-sentence observations like, "Wow, everyone has a cell phone these days," and blowing them out into furious 850-word trash-fires of mismatched imagery and circular argument.
The double-axel version of this feat was to then rewrite that same column over and over again, in the same newspaper, only piling on more incongruous imagery and skewing rhetoric to further stoke that one thought into an even higher and angrier fire."
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