Ramsey Lewis, Jazz Pianist Who Became a Pop Star, Dies at 87
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Ramsey Lewis, Jazz Pianist Who Became a Pop Star, Dies at 87
His 1965 recording of “The ‘In’ Crowd” brought him to a placRamsey Lewis, a jazz pianist who unexpectedly became a pop star when his recording of “The ‘In’ Crowd” reached the Top 10 in 1965 — and who remained musically active for more than a half century after that — died on Monday at his home in Chicago. He was 87.
His death was announced on his website. No cause was given.
Mr. Lewis, who had been leading his own group since 1956, had recorded with the revered drummer Max Roach and was well known in jazz circles but little known elsewhere when he and his trio (Eldee Young on bass and Redd Holt on drums) recorded a live album at the Bohemian Caverns in Washington in May 1965. The album included a version of “The ‘In’ Crowd,” which had been a hit for the R&B singer Dobie Gray just a few months earlier, and which was released as a single.
Instrumental records were a rarity on the pop charts at the time, jazz records even more so. But its infectious groove, Mr. Lewis’s bluesy piano work and the ecstatic crowd reaction helped make the Ramsey Lewis Trio’s rendition of “The ‘In’ Crowd” a staple on radio stations and jukeboxes across the country. It reached No. 5 on the Billboard Hot 100 — eight points higher than the Dobie Gray original had reached.
Two more singles in a similar vein quickly followed: covers of “Hang On Sloopy,” which had been a No. 1 hit for the McCoys in 1965, and the Beatles’ “A Hard Day’s Night.” “The ‘In’ Crowd” won Mr. Lewis the first of his three Grammy Awards. (The others were for the 1966 album track “Hold It Right There” and a 1973 rerecording of “Hang On Sloopy.”)e few jazz musicians reached in that era: the Top 10.
Mr. Young and Mr. Holt left in 1966 to form their own group and had hit singles of their own. Mr. Lewis carried on with Cleveland Eaton on bass and Maurice White, later a founder of Earth, Wind & Fire, on drums. That trio had a Top 40 hit in 1966 with a version of the spiritual “Wade in the Water.”
That record proved to be the end of Mr. Lewis’s career as a purveyor of Top 40 singles, but it was far from the end of his career as a jazz musician. Over the years he would record scores of albums, in contexts ranging from trios to orchestras to collaborations with his fellow pianist Billy Taylor and the singer Nancy Wilson, and he was a constant presence on the Billboard jazz chart.
There was always more to Mr. Lewis than his soulful hits suggested; he was a virtuoso with a thorough grasp of the harmonic complexity of modern jazz and a smooth touch reminiscent of earlier jazz pianists like Art Tatum and Teddy Wilson. But his success on the pop and R&B charts — where he returned in 1974 with “Sun Goddess,” an album partly written and produced by Mr. White and featuring members of Earth, Wind & Fire, on which Mr. Lewis played electric keyboards — led some jazz purists to view him with skepticism.
That skepticism was long gone by 2007, when the National Endowment for the Arts named him a Jazz Master, the nation’s highest honor for a jazz musician.
Commenting on the perceived conflict between “jazz as entertainment and jazz as art” in a 2007 interview with DownBeat magazine, Mr. Lewis noted, “Count Basie and Duke Ellington’s playing was for dancers, but something happened where jazz entertainment came to be looked down upon by musicians.” He himself, he said in another interview, had “always had a broad outlook. If it was good music, I could dig it.”
In announcing his Jazz Master honor, the N.E.A. pointed to Mr. Lewis’s eclecticism, praising him for a style “that springs from his early gospel experience, his classical training and a deep love of jazz.” It also acknowledged him as “an ambassador for jazz,” citing his work both in academia (he had taught jazz studies at Roosevelt University in Chicago) and in the media: In the 1990s he began hosting a syndicated weekly radio program, “Legends of Jazz With Ramsey Lewis,” and in 2006 he hosted a public television series of the same name, which featured live performances by Dave Brubeck, Chick Corea, Pat Metheny, Tony Bennett and many others.
At around this time he also began composing large-scale orchestral works. His “Proclamation of Hope,” written to commemorate the 200th anniversary of Abraham Lincoln’s birth, was commissioned by the Ravinia Festival in Illinois, where he was artistic director of the jazz series, and performed there by the Chicago Symphony Orchestra in 2009.
Mr. Lewis found the challenge of composing that work daunting, he told The Associated Press, until he “threw away the thought of Tchaikovsky and others and sat at the piano and started improvising.” As a result, he said, “I was able to compose from my spirit rather than from my intellect.”
In 1995, Mr. Lewis formed Urban Knights, an all-star ensemble with an ever-changing lineup of musicians who, as he himself had long done, straddled the worlds of jazz and R&B. The group, whose lineup at various times included the saxophonists Grover Washington Jr., Gerald Albright and Dave Koz, released seven albums, the most recent in 2019.
Ramsey Emmanuel Lewis Jr. was born on May 27, 1935, in Chicago, one of three children of Pauline and Ramsey Lewis. His father worked as a maintenance man.
Ramsey began taking piano lessons when he was 4 — he recalled his teacher telling him, “Listen with your inner ear” and “Make the piano sing” — and was soon playing piano at the church where his father, who encouraged his interest in jazz, was choir director.
He attended DePaul University in Chicago but did not graduate; his career as a professional musician had already begun before he enrolled. While still a student at Wells High School, he had joined a local seven-piece jazz band, the Clefs. When four members of the band were drafted, Mr. Lewis, Mr. Holt and Mr. Young became the Ramsey Lewis Trio.
The trio signed with Argo Records, a subsidiary of the Chicago-based blues label Chess, and released their first album, “Ramsey Lewis and His Gentle-Men of Swing,” in 1956. The trio became a fixture on the Chicago nightclub scene, and many other albums followed, as did engagements at Birdland and the Village Vanguard in New York City and at the Newport Jazz Festival in Rhode Island. But the group remained relatively unheralded beyond Chicago.
That changed with “The ‘In’ Crowd.”
Mr. Lewis is survived by his wife, Janet; his daughters, Denise Jeffries and Dawn Allain; his sons, Kendall, Frayne and Bobby Lewis; 17 grandchildren; and three great-grandchildren. His sons Ramsey Lewis III and Kevyn Lewis died before him.
During the pandemic, Mr. Lewis presented a monthly series of livestream performances. An album drawn from those performances, “The Beatles Songbook,” is slated for release in November.
While in lockdown he also wrote a memoir, “Gentleman of Jazz,” in collaboration with Aaron Cohen. It is scheduled for publication next year.
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